المثاقفة واشتغالاتها في المسرح _ ايوجينيو باربا أنموذجاً

المثاقفة واشتغالاتها في المسرح _ ايوجينيو باربا أنموذجاً

الباحث : عمر جاسم عزيز علي الجبوري

أ.م.د. بشار عبدالغني محمد العزاوي

جامعة الموصل / كلية الفنون الجميلة / قسم الفنون المسرحية

Abstract :

The cultural overlap and its impact on the performance of theatrical actor is one of the most theatrical practices and experiences that have taken a wide field in modern academic studies, and has begun to be applied in the interest of many international directors, which formed a different trend in the traditional foundations of the performance of theatrical actor, due to his role in the production of theatrical methods New methods and settings contributed to drawing new methods and settings in the actor’s use of his tools in a way that is different from the prevailing pattern imposed by the culture of that actor, and this is what prompted Barba to establish the International Anthropological School for Theater to employ these contradictions and paradoxes in the performance of theatrical actor and pollinate them with each other through barter and the transfer of experiences and skills that leads to it Among the actors, and stressing on its representatives in the use of oriental theater methods in the exercises and in the performance stage due to their importance and the development that the oriental theater representative has reached in achieving his physical presence that brings the spectator to fascination, in addition to the scarcity that the European theater has reached in renewing its performing and directing methods.

Key words :(Eugenio Barba, Oden theatre, culture, multiculturalism, theater anthropology, theatrical performance, barter, ISTA)