صور المرأة البصرية في تذكرة ابن العديم والتذكرة السعدية – دراسة موازنة 

صور المرأة البصرية في تذكرة ابن العديم والتذكرة السعدية – دراسة موازنة 

م.م. باسم محمد صالح

أ.د. شاكر هادي حمود التميمي

جامعة القادسية / كلية الآداب / قسم اللغة العربية

Abstract

The images of the visual woman chosen between Ibn al- Adid’s ticket and Saadiyat’s ticket are based on the inherited characteristics of the choice, from the beauty of the word and its proportion of meaning. This indicates their conviction of the bases and rules used by the ancients in the selection. The selected women’s visual images focused on the patterns of color and motion The sensory organs of the woman’s body, which did not leave the old Arab taste of the qualities of beauty and femininity in women In his memory, Ibn al-Adim used to include poetic images in short poems, short pieces, and some of the poems of poets of his time who enjoyed a distinguished political and social status. He included his choice of impressionist criticism and his motivation to choose. He does not hesitate to recall the poet’s reputation and nobility. Al-Obeidi in the Saadiyya ticket has used a great deal on the poetic choices of Abi Tamam and Ahmed Ibn Fares in their histories. He mentioned many of their choices and he did not hesitate to mention them at the end of each chapter, and he did not leave his criticism except in rare and singular words. In spite of the differences in the method of choice of poetry for each of them, but the match was very attractive to the sensory images of women of color and physical movements, the pattern of the selected sensory image has maintained its position.