الرمز الديني وتقنيات القناع في شهر مظفر النواب

الرمز الديني وتقنيات القناع في شهر مظفر النواب

مهدي داخـل ناصر
أ.د. ناجي عباس مطر
كلية الآداب / جامعة ذي قار

Abstract

Symbolism and symbolism can be considered a fluid cultural concept whose purpose is to seduce and fuel the belief of those who join that faith, as coding is a strategy imbued within every idea or doctrine, so it is strongly and effectively ingrained in all divine religions, as symbolism is responsible for making the meaning floating and multiple, which is the mercurial mechanism that religions need in presenting facts usually, and the symbolism within religion manifests on several levels, because the process of associating the sacred with these symbols gives it an imaginary holiness. places of worship such as mosques, temples, or churches gained added symbolism by aligning with the sacred and became sacred, and the same is the case with people whose biography is associated with aligning with the religious sacred, they acquired a sacred part of the sacred, if we exclude the prophets and the infallible imams, peace be upon them, from the part of holiness because they are already sacred, then revolutionary, historical, and ordinary figures have become symbols. These symbols have inciting roles in the consolidation of followed ideologies, and are considered one of the main means of strengthening ideological affiliation, and it is obvious that these symbols differ in different religions and cultures, so the poet took the strategy of symbolization as an aesthetic and expressive means by exploiting the ability of the symbol to camouflage and evade, and the fragmentation of the meaning as a way to make the poet aesthetic and expressive means. The function of the symbol is mainly related to replacing reality with an imaginary one in order to assimilate or contain it, but the strategy of symbolization, which assumes replacement as we have assumed, may make the poet resort to the technique of symbolic reincarnation of a historical figure and re-interrogate it in line with his ideas, so he masks himself with historical figures and speaks in their language but with his own ideas, thus making it clear to the recipient .